Impulse Control (2022)
for two clarinets
duration: 25 minutes
Commissioned by Painted Sky Ensemble (Jeremy Reynolds, Corey Mackey, and Michael Bukhman).
Premiered at the 2022 International Clarinet Association ClarinetFest in Reno, NV.
Before and After (2016-2020)
for flute, clarinet, electric guitar, piano, and bass
duration: 50 minutes
Commissioned by the Fromm Music Foundation (Harvard University) for NOW Ensemble.
Fit (2021)
for two digital pianos with dynamic microtonal pitch-mapping
duration: 12 minutes
Commissioned by the Ray-Kallay Duo (Vicki Ray and Aron Kallay)
Emerald Oasis (2019)
for orchestra
duration: 10 minutes
Commissioned by the Redlands Symphony (Ransom Wilson, Director) for the occasion of their 70th Anniversary.
Shades (2015, rev. 2021)
for alto saxophone and piano
duration: 10 minutes
Commissioned by the Luminarts Foundation for Jeffrey Siegfried.
Dynamics (2017, rev. 2019)
for solo cello and chamber winds
duration: 20 minutes
Commissioned by the wind ensembles of the Eastman School of Music (Mark Scatterday, director) and University of Georgia Hodgson School of Music (Cynthia Turner, director), for cellist Michael Kaufman.
Elastic Loops (2010, rev. 2018)
for solo piano
duration: 20 minutes
Kindly Reply (2016)
for brass quintet
duration: 4 minutes
Commissioned by the Curtis Institute of Music for the Brass Project.
Short Winds (2010, 2016)
for woodwind quintet
duration: 9 minutes
First and third movements commissioned by the Aspen Music Festival. Second movement commissioned in 2016 by the Chamber Music Conference (Bennington, VT).
Come Again (2016)
for two pianos
duration: 10 minutes
Commissioned by HOCKET Piano Duo.
Chrysalis (2016)
for soloist on piano and percussion
duration: 12 minutes
Commissioned by Piano Spheres (Los Angeles, CA) for Danny Holt.
Finding Time (2015)
for sinfonietta
duration: 18 minutes
Commissioned by the Los Angeles Philharmonic (Gustavo Dudamel, director)
Mezereon (2012, rev. 2015)
for English horn and prepared piano
duration: 12 minutes
Commissioned by the American Academy in Rome.
In the Blue (2014)
for sinfonietta
duration: 14 minutes
Commissioned by Alarm Will Sound and Ensemble Modern for the Cresc. Biennale (Frankfurt, Germany)
Two Solitudes (2014)
for flute, viola, and harp
duration: 10 minutes
Commissioned by the New World Symphony (Michael Tilson Thomas, director).
Noise Gate (2013)
for orchestra
duration: 12 minutes
Commissioned by the Cabrillo Music Festival with support from John Adams.
Breaking Point (2013)
for ensemble (clarinet, trumpet, electric guitar, string quintet, piano, percussion)
duration: 13 minutes
Commissioned by Present Music (Milwaukee, WI).
One-way Trip (2012)
for octet (clarinet, horn, piano, string quintet)
duration: 26 minutes
Commissioned by the Berlin Philharmonic Scharoun Ensemble.
Clunker Concerto (2011, rev. 2013)
for solo cello
duration: 12 minutes
Commissioned by Mariel Roberts.
Wind-Up Etude (2012)
for solo piano
duration: 5 minutes
Commissioned by the Renee B. Fisher Piano Competition.
Scale 9 (2009)
for quintet (clarinet, violin, cello, piano, percussion), sextet (flute, clarinet, violin, cello, piano, percussion), and septet (flute, clarinet, violin, viola, cello, piano, percussion)
duration: 5 minutes 30 seconds
Commissioned by the Aspen Music Festival. Sextet and Septet versions written for Psappha Ensemble (Manchester, England)
String Quartet
duration: 15 minutes
Commissioned by the Formalist Quartet.
Little Green Pop (2008)
for soprano saxophone, tenor saxophone, trombone, electric guitar, piano, percussion, and sound engineer.
duration: 10 minutes
Commissioned by Ensemble Klang (Den Haag, Netherlands).
Bad Wiring (2006)
for flute, bass clarinet, violin, piano, two percussion
duration: 5 minutes
Commissioned by Norfolk Chamber Music Festival.